Max Ophüls
Directing

Max Ophüls

Born 6 May 1902 · Saarbrücken, Saarland, Germany · Died 26 March 1957

Maximillian Oppenheimer (6 May 1902 – 26 March 1957) — known as Max Ophüls — was an influential German film director who worked in Germany (1931–33), France (1933–40), the United States (1947–50), and France again (1950–57). He is best known for his smooth camera movements and complex tracking shots. Many of his films are narrated from the point of view of the female protagonist. In addition to the American romantic melodrama Letter from an Unknown Woman (1948), the French productions La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de... (1953) and Lola Montès (1955) are among his best-known works. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.

Known for

Letter from an Unknown Woman
The Earrings of Madame de...
Lola Montès
La Ronde
The Reckless Moment
Le Plaisir
Caught
Liebelei
Everybody's Woman
There's No Tomorrow
From Mayerling to Sarajevo
The Exile
Lola Montès
The Earrings of Madame de...
Le Plaisir
La Ronde
The Reckless Moment
Caught
Letter from an Unknown Woman
The Exile
There's No Tomorrow
From Mayerling to Sarajevo
L'école des femmes
The Novel of Werther
Yoshiwara
The Trouble with Money
Chopin's Brilliant Waltz
The Tender Enemy
Divine
Everybody's Woman
A Man Has Been Stolen
Liebelei
Laughing Heirs
Love Story
The Bartered Bride
The Company's in Love
I'd Rather Have Cod Liver Oil
Max Ophüls · Midrow